The South African amapiano duo Mapara A Jazz, known for their global hit “John Vuli Gate,” are under heavy criticism after it emerged that their claims of being kidnapped and beaten in Ethiopia were allegedly fabricated for publicity.

The pair, Leonard “Lenny” Malatji and Mano “Man Malaya” Nephawe, arrived in Addis Ababa on October 25 to perform at Adey Fest 2025. Shortly after, they shocked fans by posting distressing messages suggesting they had been abducted and assaulted, prompting widespread panic and online prayers for their safety.

However, event organisers Krinfund Events & Entertainment and Ethiopian police both denied that any kidnapping or attack took place, stating that the artists were safe throughout their visit. The controversy deepened when a leaked voice note from the duo’s Facebook page handler surfaced, confirming that the entire incident had been staged for attention. In the message, the handler can be heard saying, “It’s just a trend, it’s a publicity stunt. Don’t tell them, but just know the guys are safe.”

Such actions have angered many fans and Ethiopians alike, who feel deeply disrespected. Why would they do that to a country that welcomed them warmly, offered them a platform to perform, and showed them hospitality? Ethiopia has long been known for its vibrant music culture and generosity toward visiting artists — fabricating a scandal of this nature not only discredits the duo but also unfairly paints a negative image of the host nation.

While artists often seek creative ways to stay relevant, faking a kidnapping crosses a serious ethical line. This stunt has not only damaged Mapara A Jazz’s credibility but also disappointed fans across Africa who expected honesty and professionalism. As the backlash continues, one message rings clear: respect and integrity should never be sacrificed for clout.